High Quality Audio Mixer میکسر با کیفیت بالا


 
 
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High Quality Audio Mixer


Introduction

This project is probably the most ambitious so far, and can be expected to be very expensive.  On the positive side, it is also capable of excellent performance, and can be tailored to suit your exact specifications.  There are several different input modules in the series, the first being the microphone and line input.

The project is presented in parts, and Part 1 shows the mic/line module and has some background information on noise measurements and the general philosophy behind the project.

Stages 2 and 3 are now complete, and are described below, and Stage 4 is available, but still under construction.


Description


Since the project is presented in stages, this is an index for the various modules, and as the system is developed will also be the place to look for updates and other information.

    Updated
Stage 1 Microphone / Line input module - Includes optional 48V phantom feed, and shows three different input stage configurations.  You can choose from transformer input, or two different electronically balanced circuits.  Also shows the tone control circuits, peak level indicator and all channel to group/master switching, faders and pan pots. 07 Jan 2001
Stage 2 Basic Mixing Modules - These are used for mixing the stereo sends from each of the Mic/Line modules, either as sub-mixers or the main mixer (the same unit is used for each).  Also included are the Auxiliary Mix Module and balanced line driver circuits, and the first stage of the power supplies. 23 Oct 1999
Stage 3 Power Stages - This section shows the power supply regulators - both +/-15V main supplies and 48V phantom supply, and the headphone power amps. 26 Nov 1999
Stage 4 Bits and Pieces - The next installment will describe the pre-fade listen and other headphone mixing and switching, as well as the talkback mic amp, phono and auxiliary input modules.  (See NOTE below.)  Stage 4 is under construction, and contains descriptive text only at this time.

The additional modules, metering and a complete system layout will be added to the list as they are developed.

NOTE:  There has been a surprising amount of interest in this project, with a common requirement being a smaller version (an almost equally common request has been for a bigger version, too).  Scaling the project up is not really a problem, but it is difficult to know what you can leave out to make a small mixer of 6 channels or less.

It seems I have also managed to confuse a few people with some of the links between the various stages.  I used two different terms for the same one in one instance, and the links made sense to me at the time, but this has not helped some of my readers.  Sorry about this, and I will try to find and fix the errors (whether of nomenclature or common sense).

There is also some concern about the time taken for Stage 4.  I have been busily doing other things, and managed to push the mixer to the "back burner" - I am almost sorry I started this, but I will have to continue - after all, I got this far.  Bear with me, gentle reader - it won't happen overnight, but it will happen. (After all, I do have a "real" job - one has to eat ... )


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Headphone Amplifier امپلی فایر هدفون

 

                وبلاگ مدارات الکترونیک دانشمند

Headphone Amplifier


PCBs PCBs are available for this project now

Introduction

Firstly, I'd like to stress that the intended use of this circuit is only one of many possible applications. Apart from the obvious usage as a headphone amplifier, the circuit can be used for a range of applications where a wide bandwidth low power amplifier is needed. Some of the options include ...

  • Reverb drive amplifier - ideal for low and medium impedance reverb tanks
  • High current line driver - suitable for very long balanced lines
  • Low power speaker amplifier - better performance than small integrated amps
  • ... and of course, a headphone amp.
In short, the amp can be used anywhere that you need an opamp with more output current than normally available. Since most are rated for around ±20-50mA, general purpose opamps are not suitable for driving long cables or anywhere else that a relatively high output current is needed.

As a headphone amplifier, this design is very similar to others on the ESP site, but the main difference is that this one (and P70) has been built and fully tested. The design is fairly standard, and every variation was checked out before arriving at the final circuit. A photo of the prototype is shown below, and at only 64 x 38mm (2.5 x 1.5 inches) it is very small - naturally, the heatsink is not included in the dimensions.

The amplifier is capable of delivering around 1.5W into 8 ohm headphones, and 2.2W into 32 ohms - this is vastly more than will ever be needed in practice. The use of a 120 Ohm output resistor is recommended, as this is supposed to be the standard source impedance for headphones. Unfortunately, many users have found that their 'phones perform better when driven from a low impedance source.

Photo
Prototype Headphone Amplifier

The circuit is based on an opamp, with its output current boosted by a pair of transistors. Distortion is well below my measurement threshold at all levels below clipping into any impedance. Noise is virtually non-existent - even with a compression driver held to my ear, I could barely hear any, and I couldn't hear any with headphones.

WARNING
Headphones are rated in dB SPL at 1mW, and this amplifier (like many other similar headphone amps) is capable of producing extreme SPLs. The levels obtainable are sufficient to cause almost instantaneous permanent hearing damage! Never operate the amp at very high levels, and never switch the amplifier on with signal while wearing you headphones.

Always start with the volume control at minimum, and gradually increase the level until it is comfortable, but not too loud. Because of the very low distortion, it is easy to increase the level too far without noticing. Your ears are precious - safeguard them at all times.

Note the warning above - this is serious. Most headphones are capable of at least 94dB SPL at 1 mW, with some as high as 107dB SPL. Even 10mW is enough to create sound levels capable of causing hearing damage, so you must be very careful to avoid damaging levels.

Continuous dB SPL Maximum Exposure Time
85 8 hours
88 4 hours
91 2 hours
94 1 hour
97 30 minutes
100 15 minutes
103 7.5 minutes
106 < 4 minutes
109 < 2minutes
112 ~ 1 minute
115 ~ 30 seconds
Table 1 - Maximum Exposure to SPL

Note that the exposure time is for any 24 hour period, and is halved for each 3dB SPL above 85dB. The above shows the accepted standards for recommended permissible exposure time for continuous time weighted average noise, according to NIOSH (National Institute for Occupational Safety and Health) and CDC (Centers for Disease Control) [1]. Although these standards are US based, they apply pretty much equally in most countries - hearing loss does not respect national boundaries.


Description

The amplifier itself is fairly conventional, and is very similar to another shown on this site (see Project 24). This amplifier does not include the active volume control, because in general it is far easier to get a good log pot (or simply 'fake' the pot's law as described in Project 01). Likewise, it does not include the cross-feed described in Project 109. If this is desired, it is very easy to implement on a small piece of tag board, or even 'sky hook' the few components off the bypass switch. Full details of how to do this will be included in the construction guide when PCBs are available.

The output transistors are biased using only resistors, rather than constant current sources. Extensive testing showed that using current sources made no discernible difference to performance, but increased the complexity and PCB size. Using separate caps for each biasing diode does make a difference though - and although it is relatively minor, the use of the two caps is justified IMHO.

The bias diodes should be 1N4148 or similar - power diodes are not recommended, as their forward voltage is too low. This may result in distortion around the crossover region, where one transistor turns off and the other on. As shown, crossover distortion is absolutely unmeasurable with the equipment I have available.

Figure 1
Figure 1 - Headphone Amplifier Circuit Diagram

Above is the schematic of one channel. Resistors and caps use the suffix 'R' for the right channel. The second half of the dual opamp powers the right channel. Note that the volume control shown is optional, and is not on the PCB. If needed, it may be mounted in a convenient location and the output connected to the inputs of the board as shown. D1 and D2 (L and R) are 1N4148 or similar.

One of the reasons the amp is so quiet is that the entire board runs from a regulated supply, so hum (in particular) is eliminated. Although an unregulated supply can be used, this is not recommended. The supply should be separate from that used for your preamp, because of the relatively high current drawn by the amplifier (at least with low impedance 'phones). A P05 preamp supply can be used, and will ensure optimum performance.

The prototype amplifier has flat frequency response from 10Hz to over 100kHz. Distortion is below my measurement threshold with any level or load impedance, and output impedance is almost immeasurably low. Your headphones may be designed to operate from a 120Ω source impedance (many are), so this may be added if it improves sound quality. Adding any series resistance will reduce the available power, but it is already far greater than you can use. Without series resistance, the minimum power into various load impedances is given below (based on ±15V supplies).

Impedance Power (Direct) 120 Ohm Feed
8 Ohms 1.5 W 35 mW
32 Ohms 2.2 W 99 mW
65 Ohms 1.1 W 136 mW
120 Ohms 595 mW 149 mW
300 Ohms 238 mW 121 mW
600 Ohms 119 mW 82 mW
Table 2 - Output Power Vs. Impedance

This is not especially comprehensive, but will cover the majority of headphones in common use. In all cases, the available power is more than needed ... not so you can damage your hearing, but to allow adequate headroom for transients.


Construction

As noted, PCBs will be available for this project soon, and this is the recommended way to make the amplifier. While it may be possible to build it using Veroboard or similar, there is a high risk that it will oscillate because of the very wide bandwidth of the amplifier. A capacitor may be added in parallel with R4 (L and R) to reduce the bandwidth if stability problems are encountered. Although I used an NE5532 opamp for the prototype, the circuit will also work with a TL072, but at reduced power. You may also substitute an OPA2134 or your favourite device, taking note of the following ...

The standard pinout for a dual opamp is shown on the left. If the opamps are installed backwards, they will almost certainly fail, so be careful.

The suggested NE5532 opamp was used for the prototype, and performance is exemplary. Devices such as the TL072 will be quite satisfactory for most work, but if you prefer to use ultra low noise or wide bandwidth devices, that choice is yours.

Construction is fairly critical. Because of the wide bandwidth of the NE5532 and many other audio grade opamps, the amplifier may oscillate (the prototype initially had an oscillation at almost 500kHz), so care is needed to ensure there is adequate separation between inputs and outputs. Even a small capacitive coupling between the two may be enough to cause problems.

As shown in the photo, this amplifier needs a heatsink. While it can operate without one at low power using high impedance headphones, you need to plan for all possibilities (after all, you may purchase low impedance 'phones sometime in the future). The heatsink does not need to be massive, and the one shown above is fine for normal listening levels. An aluminium bracket may be used to attach to the chassis - I recommend 3mm material. Note that the heatsink should always be earthed (grounded).

The output transistors must be insulated from the heatsink. Sil-Pads™ are quite suitable because of the relatively low dissipation, but greased mica or Kapton can be used if you prefer. If you use the suggested 3mm aluminium, you can drill and tap threads into the heatsink, removing the need for nuts.


Testing

Connect to a suitable power supply - remember that the supply earth (ground) must be connected! When powering up for the first time, use 56 ohm "safety" resistors in series with each supply to limit the current in case you have made a mistake in the wiring. These will reduce the supply voltage considerably because of the bias current of the output transistors.

If the voltage at the amplifier supply pins is greater than ±6V and the output voltage is close to zero, then the amplifier is probably working fine. If you have an oscilloscope, check for oscillation at the outputs ... at all volume control settings. Do this without connecting your headphones - if the amp oscillates, it may damage them.

Once you are sure that all is well, you may remove the safety resistors and permanently wire the amplifier into your chassis.



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Portable Headphone Amplifier امپلی فایر کوچک

 

                وبلاگ مدارات الکترونیک دانشمند

Portable Headphone Amplifier


PCBs will be made available for this project if there is sufficient demand


Introduction

The modern day dynamic headphone drivers are very efficient. Just a few milliwatts are sufficient enough for reaching SPL that can easily render you with permanent ear damage. Caution, therefore, is not just a recommendation, it is a necessity.

Headphones are by far the most affordable of all audiophile equipment. The quality of reproduction and SPL offered by even moderate headphones can easily be regarded as a performance standard for the most desirable of loudspeakers.

Still, headphone listening is not as blissful as it might have been expected. The headphone outputs of most commercial systems receive very little attention from the manufacturers. This neglect manifests itself in the form of cheap quality sound and frustrations for the listener. A dedicated headphone amplifier can easily cure these ailments.

In my case, it all started when I got myself a Sennheiser PMX 60 headphone. When connected to my Sony portable, the sound left a lot to be desired. As I increased the volume, the bass simply disappeared while the treble became a ringing in my ears with all the hostility of a raging gale. I tried the ‘phones with my IPAQ and this time the sound was even worse.

If you use Grado or any other low Z (≤ 32Ω) headphones, then this may very well be your song I'm singing. The built-in headphone outputs of most systems, by their very design, cannot keep up with the high current appetite of a low Z headphone.

My design goals for this amp were quite straightforward:

  • Punchy bass on demand
  • Portability
  • Low listener fatigue

The amplifier, as it now stands, sports three opamps per channel, one as the voltage gain stage and the rest as current amplifiers. That's a total of three dual opamps for stereo. There is also a crossfeed network sandwiched between these two active stages.

Crossfeed
To locate and externalise sources of sounds, we use both of our ears. The sound from a source on the right (say, the right speaker) is heard not only by the right ear, but also heard, delayed and attenuated, by the left ear. The brain compares the delayed and attenuated sound with the original to deduce the exact location of the sound source.

Of course, this is some what an over simplification as reflections at the ear pinnae and from the walls of the listening area also contribute complex information important to the localisation process. All the info from these sources is furthered by the movements of the head.

When listening to a headphone, all these sources of info are absent. Transducers mounted directly on the ears cause the unnatural 'super-stereo effect', where one ear doesn't hear, in any form, what the other is hearing. The perceived spaciousness, which doesn't occur in normal listening conditions, might be very impressive in the beginning but quickly fatigues the listener with headaches and occasionally, dizziness.

This is where a crossfeed comes in. It is an acoustic simulator of the simplest from. The crossfeed electronically mimics the inter-channel interactions of the real world by delaying and attenuating the signal from one channel and feeding it to the other.

The use of the crossfeed results in a realistically spacious sound stage where instrument locations seem more natural. The perceived depth also lowers the listener fatigue considerably.

The crossfeed presented was originally designed by a Swedish audio engineer named Ingvar Ohman. It was published in an article called "Den Lilla Stereo-kontrollboxen SP12" in the December 1994 issue of the "Musik och Ljudteknik" ("Music and Audio Technical Society") magazine.


Description

The headphone amplifier circuit is shown in Fig.1. As you can see, it is a very simple design requiring you to detach yourself from the wonderful world of weekend chores for just a few hours… I promise!


Figure 1 - Schematic of Headphone Amplifier

U1 is the gain stage and, as shown, has a gain of 4. The gain can be adjusted by changing the value of 3.3k resistor. A gain of more than 11 is not recommended.

SW1 bypasses the crossfeed network. I have reconfigured the original crossfeed schematic so that now the 100k resistor always bridges the bypass switch and thereby reduces any 'crackle' or 'click' or whatever you may call them. Don't omit these 100K resistors as they form a part of the crossfeed network and omitting them would bear undesirable results. Note that R6 and R9 are indicated as 4.53k, however the use of 4.7k resistors will be perfectly adequate in practice.

U2 and U3 are paralleled as current-boosting amps. This doubles the output current into the load as established by Burr-Brown's AB-051 application note: Double The Output Current To A Load With The OPA2604 Audio Opamp.

    Meraj suggests that the value of the output resistors might require a little bit of experimenting for optimally matching the amp with your headphones. However as shown, output impedance is close to zero, and changing R12 and R13 will not affect impedance. Most headphones are designed for an impedance of 120Ω, and I suggest that a 120Ω resistor be installed in series with the output.

The power supply pins were not shown in the diagram for clarity. These pins are bypassed by 10uF and 100nF decoupling caps.

Only one channel is shown, so two units are needed for stereo.


Construction

For the prototype, I used Veroboard and have found the amp to be very tolerant of layout. I've made boards based on the prototype and ESP may make them available to others when there is enough demand to offset costs. Needless to say, these boards would make construction a breeze. I used 1/4W carbon resistors throughout. Considering the level of ambient noise that a portable system has to put up with, the volume level would usually be high enough to make it impossible to discern noise from signal - however I still recommend metal film resistors for best results.


Figure 2 - Work In Progress

I chose the NE5532 for this project. Since the source is a PDA's internal DAC, I didn't see the need to use premium opamps. Of course, if it makes you feel better, you can always use higher quality (expensive) opamps. Just make sure the opamp is capable of driving low impedances. LM6171, OPA2134, OPA2132, OPA134 and OPA4134 (dual) are some possible substitutes. It's likely that there are others. IC sockets are therefore a good idea if you have plans to upgrade the opamps.

The volume pot should be a linear type and would give, with the 15k resistor in parallel, the benefits outlined in ESP's A Better Volume Control.

The crossfeed is on a separate board in the prototype. I mounted it vertically on the main board using hot-melt glue. All the switches, jacks and volume control were also mounted on the enclosure using a hot-melt glue gun. I used generous amounts of hot-melt glue around the bases of all the capacitors as they are more susceptible to lead and track breaking due to vibrations.

For the enclosure, I chose what used to be a part of a plastic school lunch box. I measured and marked the spots for the cuts I had to make. A sharp hobby-knife, a drill bit, a tabletop vise and a steady hand were all that I needed for the job. When working with plastic, it's a very good practice to measure twice and cut once (he spake from bitter experience).


Figure 3 - Testing … testing …1, 2, 3 …

The belt clip was made for Nokia and came into my possession when I bought a 7110 aeons ago. If you use a belt clip, level it to make sure that the amp, with all the jacks sticking out, doesn't get in the way of your belly when you sit down. Trust me, it can be very painful!

By far the most expensive part of this project is the paint job. I went through a can of flat black and a can of clear lacquer to get the finish.


Power Supply

My prototype uses two 9V alkaline batteries to give 9-0-9V supply. I get around 20 hours of operation at normal portable listening levels. The effect of the demise of a few pairs of alkaline batteries on my wallet has decided me to switch over to rechargeable batteries. A battery charger is now under construction.

This amp can also be powered by Project 05 using a 15-0-15V transformer. A 5VA transformer should have oomph enough for the job.

A star ground was not necessary for my battery powered version but is recommended for a mains powered one. Use the common point of the power filter caps as the ground return and employ a ground loop breaker if you use a metal enclosure.


The Fruits of Labour?

The first thing that you notice about the sound is the authority of the low frequency. The sensation of the kick drum's 'kick' (pun intended) on the earlobes greatly enhances the listening experience. Only now do I realise the full potential of the Sennheiser PMX 60.

With the crossfeed on, the vocal that used to seem to be right on top of one's nose is pulled forward. The perceived depth in the sound stage and the bass is very much dependent on the source material. For some materials, loss in bass is experienced with the crossfeed on. This is due to the cancellations of the unrealistic, out-of-phase signals.

I find the crossfeed to be satisfactory for listening to classical and pop, rock gets mixed results and death metal is less confusing because of the cleared up sound stage.

At the time of writing, I had just finished a 15-0-15V power adaptor based on the Project 05. The improvement in the sound brought forward by the increased voltage is just amazing! As my ears were recovering, I was on my way to hunt down an enclosure that would house the project along with four 9V batteries. That's ±18V - I must be crazy!


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Headphone Adaptor for Power Amplifiers هدفون برای امپلی فایر قدرت

 

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Headphone Adaptor for Power Amplifiers


Introduction

This simple project is nothing more than a handful of resistors and a double pole, double throw switch, but will reduce the output of almost any amplifier to a nominal level of 5V RMS, and maintains the recommended 120Ω source impedance. This is designed to suit most headphones currently made, as they are generally designed to operate from that impedance.

Naturally, this is not always suitable (some manufacturers have chosen not to adopt the standard for one reason or another), but will suit most headphones very well.

The level of 5V RMS was chosen to ensure that the power amplifier will not clip when driving the headphones, but is much too high for normal listening. As always, you may make changes to suit your preferences, but be aware that nearly all headphones are capable of sound levels that will cause permanent hearing damage, so always be mindful of this.

Warning: This unit is not designed to be used with bridged amplifiers! If there is a warning on your amp that states that the -ve speaker terminals must not be grounded, then you must not connect this adaptor, or the amplifier will be damaged. If in doubt, find out first from the manufacturer or distributor - assumptions can be very costly!


Description

The project could not be simpler - it basically consists of a switch to disable the main speakers, and the attenuator to set the correct level and impedance. Figure 1 shows the circuit diagram of a single channel, and this is duplicated for the second channel.


Figure 1 - Schematic for One Channel

The only hard part in all of this is choosing the resistor values that will give you as close as possible to the correct voltage and impedance for all typical amplifier powers. Table 1 saves you the tedium of working this out, and all attenuators use standard value resistors. The nominal voltage and actual output impedance are also shown, and as you can see, the variation is very small.

Power - 8Ω R1 R3 Zout Vout R1 Power
20 W 180Ω 47Ω 119Ω 5.2 0.33 - 0.5W
30 W 270Ω 47Ω 122Ω 4.9 0.47 - 0.5W
40 W 330Ω 33Ω 121Ω 4.8 0.54 - 1W
65 W 470Ω 22Ω 118Ω 4.7 0.74 - 1W
100 W 560Ω 22Ω 121Ω 4.9 0.95 - 1W
150 W 680Ω 18Ω 120Ω 5.7 1.37 - 2W
250 W 1kΩ 12Ω 119Ω 5.1 1.79 - 2W
Table 1 - Resistor Values for Different Power Amplifiers

The table shows the nominal amp power (8 ohms), and the values for R1 and R3 (marked with a * in the schematic). The actual voltage available to the headphones is also shown (Vout) as is the maximum power for R1 and the recommended power rating for that resistor. R2 is fixed at 120Ω for all power levels. Should you need more (or less signal) for your headphones, you may simply use the values for the next lower (or higher) amplifier power. For example, if your amp is 60W and you want less level for the headphones, use the values for a 100W amp.


Construction

To construct the circuit, you will need a double pole, double throw switch to disconnect the speakers, assuming that this is not already available. Do not be tempted to use a rotary switch, unless it is rated for the maximum amplifier output current - most are not. A heavy duty toggle or rocker switch is recommended, with a minimum current rating of 10A.

As shown, when the speakers are disconnected, the headphone adaptor is connected and vice versa. This prevents power being fed to headphones for no good reason, and also prevents "extraneous" sound when you are listening to the speakers. The entire adaptor may be installed in a separate box, with a speaker switch, headphone socket(s) and speaker in and out connectors.

This approach is assumed in the schematic, and will generally be the easiest way to provide headphone capabilities for an amplifier that does not have this ability. If more than one set of headphones is required, you must use a separate attenuator for each output - do not simply parallel headphones.

The "tip" of a stereo phone plug is the Left channel, the ring is the Right channel and the sleeve is Earth (Ground). If your amplifier has a balance control, you can check that the jack(s) are correctly wired by using the balance control to mute one channel.


Testing

Before connecting the unit to your amplifier, make sure that there are no wiring faults that present a short to the amplifier terminals. This can be tested with a multimeter, and you should also verify that the switch connects and disconnects the headphone attenuators and speakers in the correct manner.

The real test is to connect your amplifier and headphones, and verify that the level is correct, and that everything works as it should. This must not be done until you have checked your wiring thoroughly, and verified that there are no shorts - especially across the speaker leads!


Note Carefully Note: In use, make sure that the amplifier volume is set low to start with. Headphones vary considerably in impedance and sensitivity, and it is virtually impossible to determine the correct setting in advance.

It is very important that you always maintain a safe listening level - as stated above, headphones can produce extremely high SPL (Sound Pressure Level) - more than sufficient to cause permanent irreparable hearing damage!


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DoZ Headphone Amp امپلی فایر هدفون

                             وبلاگ مدارات الکترونیک دانشمند
DoZ Headphone Amp -
A New Use For The Class-A Power Amp

 
Updated 03 Oct 2005

PCB Please Note:  PCBs are available for this project.  Click the image for details.

The quiescent current can be quite unstable with variations in the supply voltage. Normal changes in the AC mains can cause Iq to shift above and below the preset value. A simple modification is now included on the PCB that virtually eliminates the problem (or reduces it to the point where it is immaterial).


Introduction

You really need to see the original article - Project 36 - to see all the design details for this project. The project presented here is simply a modification of the original design, with much lower power dissipation and adapted specifically as a headphone amplifier. The circuit is identical to the original Death of Zen amp, except for the output transistors.

DoZ Photo
Photo of Assembled Rev-A Board

Class-A is ideal for this application, since headphones are such an intimate way of listening. An amplifier for 'phones should be as clean and free from crossover distortion as possible, and must also be quiet. A background of hiss and hum does nothing to enhance the listening experience.

Headphone amps are somewhat misunderstood, but in reality there are few points that need to be made. Most 'phones are designed to be operated with a source resistance of 120 ohms, and damping factor (as applied to conventional loudspeakers) is largely irrelevant. The actual source impedance should have very little (if any) effect on the frequency response or dynamic behaviour, since there is no cavernous enclosure and no heavy cones to try to control.

The IEC 61938 international standard recommends that headphones should expect a 120 ohm source (5V RMS maximum) - regardless of the headphone's own impedance. If the manufacturer followed this standard, the 120 ohm resistor used in this circuit will not affect sound.

Power requirements are usually in the 10 to 100mW range, and this is quite sufficient to cause permanent hearing damage. With the current set for 330 mA as suggested, this amp will be able to drive a minimum of 2 (but probably 3) sets of headphones at once. With 40 Ohm 'phones, it can give a maximum power of over 150 mW, so caution is needed to prevent hearing (and headphone) damage. Even with 8 ohm 'phones, power will be about 110mW - more than enough to have you asking people to repeat everything they say!

Please Note Caution! Just in case you missed it, headphones are easily capable of causing permanent irreparable hearing damage. Modern dynamic headphones are very efficient (typically well over 90dB SPL per milliwatt) and will reach full volume with just a few milliwatts of input. A mere 100 mW will therefore provide a peak SPL of around 110dB SPL. The recommended maximum exposure to this sound level is less than 5 minutes in any 24 hour period !

Based on a maximum voltage of 10V RMS and a feed resistance of 120 ohms, the following table shows what peak power you should expect into various impedance headphones. Reducing the feed resistance will increase the power applied, probably to the detriment of your ears and the headphones themselves.

Impedance (ohms) Power (mW)
8 48.83
16 86.51
32 138.50
40 156.25
65 189.92
100 206.61
Table 1 - Power Vs. Impedance

You might need to adjust the value of the feed resistor(s) if you have really low sensitivity headphones, but unless it is absolutely necessary - don't !


Description

The final circuit for the DoZ headphone amp is shown in Figure 1. It is almost identical to the original (well, apart from the output transistors and size of C3, it is identical), and there is no longer the need for massive heatsinks and TO-3 output transistors. As shown, there are outputs for 2 sets of headphones. Needless to say, only one channel is shown - the other is identical.

For final testing you will need a multimeter. As shown in the power supply circuit below, use a 10 Ohm resistor in series with the power supply positive lead. When you measure 1 volt across this resistor, this means that the amplifier is drawing 100 mA. The resistor remains in circuit, providing a useful reduction in supply ripple. You will lose about 3.3 V at operating current, and a 5W resistor is sufficient - it will get slightly warm. The output resistors (120 Ohm) should be rated at at least 2 Watts - a pair of 220 ohm 1W resistors in parallel will do just fine (the absolute value is not critical).

Figure 1
Figure 1 - DoZ Headphone Amplifier

Although MJL4281 transistors are shown in the circuit diagram, you can use cheaper devices for a headphone amp. If you want the highest possible reliability and best performance, those shown are a very good choice. Alternatives are TIP35 (A, B or C), MJL21194, or TIP/MJE3055. TO3 devices can also be used, but must be mounted off the PCB.

C3 should be 470uF to 1,000uF. The higher value is recommended if you intend to drive multiple sets of headphones. The value of C3 is determined based on the use of 120 ohm feed resistors to the headphones. You will need to use a higher value if you use a lower resistance (not recommended, but some 'phones seem to prefer lower source impedance).

D1, D2 and R11 are optional but highly recommended. Full details for determining the zener voltage and resistance for R11 are given in the construction page. R13 may be omitted if desired. It helps to stabilise the bias current, but a side effect is slightly increased distortion.

Please Note Q3 and Q5 (the output transistors) must be on a heatsink (see below), and even for headphone use, Q2 and Q4 may require a small heatsink.

A quick circuit description is in order. VR1 is used to set the DC voltage at the +ve of C3 to 1/2 the supply voltage (20V for a 40V supply), by setting the voltage at the base of Q1. The 100uF cap ensures that no supply ripple gets into the input. Using a larger value will prevent any thump into the headphones as C3 (the output capacitor) charges, but there may be a period where excessive output current is drawn. The voltage rise is slow enough that there is little audible noise heard as the amp is powered on. Q1 is the main amplifying device, and also sets the gain by the ratio of R9 and R4. As shown, gain is 13, or 22dB, providing an input sensitivity of about 1V for full output.

Q4 is the buffer for the output transistor Q5, and modulates the current in Q2 and Q3. VR2 is used to set quiescent current, which I found needs to be about 330 mA for best overall performance. C4 and R6 are part of a bootstrap circuit, which ensures that the voltage across R6 remains constant. If the voltage is constant, then so is the current, and this part of the circuit ensures linearity as the output approaches the +ve supply.

If the DoZ PCB is used, the output components (C3, the two 120 ohm 2W resistors, and the 1k resistor to earth) are mounted "off-board". The output resistors are best mounted directly to the headphone jack, and the remaining parts can be mounted anywhere convenient.

Before applying power, set VR1 to the middle of its travel, and VR2 to maximum resistance (minimum current). Be very careful - if you accidentally set VR2 to minimum resistance the amp will probably self destruct - more or less immediately.

With an ammeter in series with the power supply (or measure the voltage across the 10 Ohm power supply resistor), apply power, and carefully adjust VR2 until you have about 330mA. Set VR1 to get 15V at the +ve of C3, and re-check the current. As the amp warms up, the current may increase, and you need to monitor it until the heatsinks have reached a stable temperature. If necessary, re-adjust VR2 and VR1 once the amp has stabilised. If you use a heatsink smaller than about 2°C/W the amp will overheat and will be thermally unstable - this is not desirable (note use of extreme understatement :-)

I used a 30V (nominal) supply, and was able to obtain 150mW into typical 40 ohm headphones at the onset of clipping. Like the original, clipping is a lot smoother than most solid state amps, and the amp has no bad habits as it clips.

Figure 2
Figure 2 - Wiring of a Headphone Plug

Figure 2 above shows how to wire a standard stereo headphone plug. The tip is the left channel, the ring is the right channel, and the sleeve is earth (ground). Use an ohmmeter or continuity tester to determine the channel designations of the solder lugs inside the jack plug body. With a headphone jack, insert a headphone plug with known wiring scheme and use an ohmmeter or continuity tester to match the jack connections to the plug. Use this scheme when wiring the socket(s) to ensure that Left and Right channels are not reversed. The proper connections are shown in Figure 3.

Figure 3
Figure 3 - Phone Jack Wiring

Test Results

On the basis of the tests, I would rate this amp at 150 mW into 40 Ohm headphones, although I did get a little more. Distortion probably rises with increasing level, but I have no way of knowing, as it is so low - even at 10V RMS output into a 50 ohm load the distortion was about the same as the residual of my oscillator, which means that it must be below 0.04%, but I have no idea just how low it gets.

I simply used components as I found them, and did no matching or any selection. All test results are based on the prototype, which uses ordinary resistors, a couple of old salvaged computer caps for the high values, and standard electrolytics for the others. The input capacitor is an MKT polyester type or you can use a standard electrolytic if you want to (the positive goes to the junction of R1 and R2).

Supply Voltage 30V
Suggested Quiescent Current 330 mA
Maximum power (40 ohm 'phones) 350 mW
Output Noise (unweighted, 1k ohm source) <1 mV
Distortion @ 1kHz, 10V RMS at output < 0.4%
Output Impedance 120 ohms
Frequency Response (-0.5dB @ 100 mW) <20Hz to >50kHz
Table 2 - Measured Performance of Figure 1

I could hear no noise at all, even with a very basic power supply. The output noise level I measured was about 0.5mV, but it is not easy to measure accurately at such low levels. There appeared to be no residual hum that I could see on the oscilloscope, even with averaging turned on.

The amp will also tolerate an indefinite short circuit across the headphone socket(s) with no ill effects, and even (blush) reverse polarity. I accidentally connected the supply up backwards while testing the original, and thought "Oh, no. Now I'll have to rebuild the blessed thing" (if the truth be known I thought something much shorter!). However, I connected the supply the right way 'round, and away it went, as if nothing had ever happened. This is not an experiment I suggest to others.

The design is also unaffected by quite a few component variations. When I first started testing the original DoZ amp, there were no emitter-base resistors in the current source, and when I added them, I simply readjusted the two pots to get everything back where it was. I retested distortion after making the changes, and could measure no difference.

I have also designed a simple, high performance preamp circuit (all discrete Class-A), which is very nice indeed (see Project 37). The distortion is very low, and frequency response is excellent.


Bias Stability

As the supply voltage changes with normal variations in AC mains voltage, the quiescent current also shifts. This is not desirable, and is easily solved with the addition of a resistor and a zener diode (or a series string for odd voltages). If you are using a regulated supply, this mod is not needed. These parts are provided for on the Revision-A PCB, and the construction notes give the information needed to calculate the Zener voltage and series resistor.


Heatsink

As I have said before, this amp needs a fairly good heatsink, as do all Class-A amplifiers. Even 'though this amp runs at very low current, a good heatsink is recommended. Thermal resistance should ideally be no greater than about 2°C/W, so with a dissipation of about 10W the heatsink will be 20 degrees above ambient temperature. This is still quite hot, and a larger heatsink will not hurt one little bit :-)

If you can't keep your fingers on transistors, then they are hotter than I like to operate them - I know they will take much more, but it shortens their life. A small heatsink is also recommended for the drivers, as they get surprisingly warm without one.


Power Supply

A suitable supply for a pair of DoZ headphone amps is shown below. I must firstly give this ...

WARNING: Mains wiring must be done using mains rated cable, which should be separated from all DC and >signal wiring. All mains connections must be protected using heatshrink tubing to prevent accidental contact. Mains wiring must be performed by a qualified electrician - Do not attempt the power supply unless suitably qualified. Faulty or incorrect mains wiring may result in death or serious injury.

A simple supply using a dual 25V secondary transformer will give a voltage of around 35V. Allowing for the voltage drop across the 10 ohm resistor, this will give a typical supply voltage of a little under 30V for each amplifier. The actual voltage is influenced by a great many things, such as the regulation of the transformer, amount of capacitance, etc. For a pair of amps, a 50VA transformer will be (just) sufficient. Feel free to increase the capacitance, but anything above 10,000uF brings the law of diminishing returns down upon you. The performance gain is simply not worth the extra investment.

The amp is quite tolerant of supply ripple, and a simple supply will almost certainly be fine. A suitable power supply is shown in Figure 4, or for the perfectionist, use the capacitance multiplier circuit (Project 15). There really is no need for anything more than the circuit shown below - supply ripple is less than 12mV RMS when loaded, and no hum was heard at all. The added advantage of the circuit shown is that it will self correct (to some degree) variations in quiescent current with supply voltage.

Figure 4
Figure 4 - Suggested Power Supply

For the standard power supply, as noted above I suggest a 50VA transformer as a minimum - 100VA is preferred. For 115V countries, the fuse can remain as 2A, and a slow blow fuse is required for toroids because of the inrush current of these transformers. If using a conventional laminated transformer, then fast blow fuses should be OK.

IMPORTANT ! Note that the secondary windings are in parallel, and the dots indicate the start of each winding. When windings are paralleled it is imperative that the phasing is correct, or the main fuse will blow. In some cases, the transformer may be damaged by the overload.

The supply voltage can be expected to be higher than that quoted at no load, and less at full load. This is entirely normal, and is due to the regulation of the transformer. In some cases, it will not be possible to obtain the rated power if the transformer is not adequately rated.

R2 and R3 should be 5W wirewound types, the bridge rectifier can be a 5A type if you want (35A bridges are cheap enough, and the latter are preferred), and filter capacitors should be rated at a minimum of 50V. Wiring needs to be heavy gauge, and the DC must be taken from the capacitors - never from the bridge rectifier.

As shown, a separate feed is used for each channel. I strongly recommend this approach to ensure that there is no low frequency interaction between the amps.



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شوکر ولتاژ بالا

امروز می خوام به سوال یکی از بازدیدکنندگان جواب بدم. در مدار امروز که توسط یکی از بازدید کنندگان سایت به ما معرفی شده می پردازیم.این مدار یه شوکر ولتاژ بالا می باشد که قادر به تولید یه شوک با ولتاز 75000 ولت و توان 25000 وات می باشد ( خداییش مدار جالبیه با این همه ولتاژ بالا شوک ان باید چند ثانیه بدن را بی حس کنه). البته یکی از کاربرد های این دستگاه برای دفاع می باشد ....

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مقاله ویژه این  هفته به تشریح مدار و نحوه ساخت یک دماسنج ( ترمومتر ) دیجیتال مربوط می شود. این مدار دارای کاربرد و جذابیتهای فراوان می باشد و قابلیت ارائه به عنوان پروژه دانشجویی و یا در در کنار مجموعه ای از وسایل دیگر با کمی چاشنی ابتکار می تواند طرحی جهت ارائه به جشنواره خوارزمی باشد.این مدار با دقت قابل قبولی دمای محیط را بر روی نمایشگر کریستال مایع ( در صورت تمایل می توانید از نمایشگر ال ای دی استفاده نمایید ) نشان می دهد. برای سنسور حسگر ///........

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این مدار موج مدوله شده به روش FM را با توان خروجی حدود 500mW را ارسال می کند. یک آمپلی فایر مقدماتی (pre amplifier) برای میکروفن ورودی در اطراف ترانزیستورهای 2N3904 شکل گرفته که گین آن توسط پتانسیومتر 5K کنترل می شود. . برای مشاهده  بر روی ادامه مطلب کلیک کنید.

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کتاب 2

از دوستان عزیزی که پس از تهیه کتاب مدارات فرستنده و گیرنده ها از اینجانب تشکر و تقدیر نموده اند صمیمانه و حقیرانه کمال تشکر و سپاسگزاری را دارم و بنا به در خواستشان مبنا بر ادامه فعالیت بنده . بر ان شدم تا کتاب مجموعه مدارات تست و ازمایشگاهی ۲۰۰۷ را هم  ترجمه و گرداوری نمایم .

 باشد تا قدم بسیار کوچکی در راه اموزش علم بی انتهای الکترونیک برای دوستان هموطنم برداشته باشم و مورد قبول عزیزان بیفتد .

جهت تهیه این کتاب . مانند همان روش ذیل اقدام فرمائید .

خرید کتاب

تعداد محدودی کتاب مدارات فرستنده و گیرنده  جدید ۲۰۰۷  ترجمه شده فارسی  موجود     می باشد

 علاقه مندان به تهیه این  کتاب میتوانند مبلغ ۳۰۰۰  + ۸۰۰  تومان "بصورت کتاب " و یا بصورت سی دی  مبلغ ۱۵۰۰ + ۳۰۰ تومان  هزینه پستی را به صورت پست مالی سفارشی  به    ادرس  : "شیرازبیمارستان شهید دکتر چمران بخش داخلی خانم زارع " ارسال نمایند تا بلافاصله کتاب ارسال  گردد . حتما  فیش ارسال پستی را  تا دریافت کتاب نزد خود نگه دارید .

                                     کتاب =۳۸۰۰ تومان      سی دی =  ۱۸۰۰ تومان

 به علت محدودیت کتابها  این اگهی تا تاریخ ۱۰/۹/۱۳۸۶ اعتبار خواهد داشت . و جهت اطلاع دوستانی که نسبت به ارسال مبلغ اقدام نموده اند :  مشخصات شان در  این قسمت    گذاشته خواهد شد تا از دریافت مبلغ توسط اینجانب  و ارسال کتاب به ادرس شان  مطلع شوند .

 ضمنا ادرس پستی خوانا و دارای کد پستی و یک شماره تلفن تماس باشد و بر روی پاکت قید کنید " خرید کتاب"

 عناوین  کتاب مدارات  فرستنده و گیرنده  جدید ۲۰۰۷   در قسمت شرح مدار  امده است .

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ای کی جی  متر

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  در این وبلاگ  تمامی مدارات معرفی شده صد در صد عملی بوده و سعی فراوان نموده ام تا عکسهایی از مدارات ساخته شده را  در وبلاگ قرار دهم و این خود گواه عرایض بنده میباشد ...   موفق باشید

فرستنده اف ام پر قدرت جدید

                         
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پروژه صدای دیجیتال

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شايد شما هم از اون دسته افرادي هستيد ، که مايلند يک مدار اسيلوسکوپ داشته باشند ، که قابليت اتصال و نمايش شکل موج ورودي را روي کامپيوتر داشته باشه . مداري که تصميم به توضيح در موردش رو دارم از طريق پورت پرينتر به کامپيوتر وصل ميشه . نرم‌افزار اين اسيلوسکوپ به زبان C هست و در محيط Turbo C نوشته شده.....
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دزدگیر با میکروکنترلر

                             
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روبات تعقيب كننده نور

 

 

                   

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